"A great part of this is the superb job turned in by England, who puts her entire heart and soul into her performance. This is borne out by the real tears she sheds when she and Spano were taking their bows after the end of the play. It's clear she goes through an emotional wringer with every performance and we can't ask more of an actor than that.”
-Broadway World, Heisenberg
“Faline England going from happy and neighborly to tense and confused – that was more real than real.”
-The Orange Curtain Review, Patrick Chavis
The Realistic Joneses
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“...Realistic Joneses’ is a Brilliant Definitive Dramedy”
“Kudos to the monumental work of actors England, Fox, Lovett and Spano; to Eno's gutsy translation of inchoate fears into words and ideas…"
- Newport Beach Independent, Eric Marchese
"England's Georgie is outrageous, profane, sexy, and girlish, playing a woman of 42 who acts like a smitten teenager, folding herself up provocatively on one of the two chairs that serve as the production's only set pieces. “
-Broadway World, Heisenberg
"Heisenberg showcases two remarkable actors at their best.”
-Broadway World
“Laguna Playhouse is currently presenting a tour de finesse of acting and
dialogue”
“The exemplary four performers are
two Americans (Joe Spano and Faline England) and two actors from Ireland (Conor Lovett and Sorcha Fox).
- The Orange County Register, Christopher Smith
The Realistic Joneses
“Faline England splendidly rounds out the cast as the wide-eyed Pony”
- Stage and Cinema, Dan Zeff
The Realistic Joneses
THEATRE RESUME
Faline England is hands-down the most hardworking actress I’ve ever worked with. I directed her in a production of Gulf View Drive for which she was nominated for Best Supporting Actress at the Ovation Awards. Never has an award been such a reflection of natural talent, a brilliant work ethic and skill at navigating truthful and complex characters. I’m working with her again and would recommend casting Faline to any director or producer, as she is a wonderful and spiritual person who would be an asset to any production.
-Katharine Farmer, Director, London